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106 wyników Filtruj
E-book
W koszyku
Self-Portrait as Othello / Jason Allen-Paisant. - [miejsce nieznane] : Carcanet Poetry : Legimi, 2023.
Autor
Allen-Paisant Jason.
Forma i typ
E-booki
Shortlisted for the Writers' Prize 2024 Shortlisted for the Jhalak Prize 2024 Longlisted for the OCM Bocas Prize for Caribbean Literature 2024 Winner of the T.S. Eliot Prize 2023 Winner of the Forward Prize for Best Collection 2023 The Poetry Book Society Spring Choice 2023 A Guardian and The Irish Times Book of the Year Jason Allen-Paisant's debut collection Thinking With Trees won the 2022 OCM Bocas Prize for poetry and was an Irish Times and White Review Book of the Year 2021. In Poetry London Maryam Hessavi wrote, 'Jason Allen-Paisant is uncompromising when digging down through the undergrowth of our imperialist past – and yet he succeeds in replanting new narratives in the same soil where these toxic ideologies used to, and still, reside.' The interlocking poems of his second collection, Self-Portrait as Othello, imagine Othello in the urban landscapes of modern London, Paris and Venice and invent the kinds of narrative he might tell about his intersecting identities. Poetic memoir and ekphrastic experiment, Self-Portrait as Othello focuses on a character at once fictional and real. Othello here represents a structure of feeling that was emerging in seventeenth-century Venice, and is still with us. Portraiting himself as Othello, Allen-Paisant refracts his European travels and considers the Black male body, its presence, transgressiveness and vulnerabilities. Othello's intertwined identities as 'immigrant' and 'Black', which often operate as mutually reinforcing vectors, speak to us in the landscape of twenty-first-century Europe.
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E-book
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Near-Life Experience / Rowland Bagnall. - [miejsce nieznane] : Carcanet Poetry : Legimi, 2024.
Autor
Bagnall Rowland.
Forma i typ
E-booki
The poems in Near-Life Experience are curious about the world, the present moment, its weather and animals, its objects and things. They want to make it real in language before it changes, vanishes. Documenting landscapes, paintings, insects, and trees, Near-Life Experience experiments in precision. Understanding is subverted by the day's distractions and the unexpected shapes of the imagination. How do I relate to this? What does it mean? What's happening, exactly? Does experience experience me? Description shapes into a different precision, the poet finds humour and panic at the changing edges of the actual. The poems include a variety of walk-on parts – from Breughel's hunters in the snow and American painter Richard Diebenkorn to nineteenth-century geologist James Hutton and the poet's own friends and intimates. They measure his expanding and contracting times, birthdays, seasons, climate breakdown, witnessing the moment and its 'sheer / ongoing changes'.
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The Good European / Iain Bamforth. - [miejsce nieznane] : Carcanet Poetry : Legimi, 2011.
Autor
Bamforth Iain.
Forma i typ
E-booki
Nietzsche, warning his countrymen in the Bismarck era against the nationalism that sought to promote all that was anti-rational in the German tradition, exhorted them to be 'good Europeans', avatars of the enlightened economic man of the eighteenth-century. Yet as RG Collingwood observed in his last great inquiry into the nature of civilisation, a book written to the glory of Hobbes at the height of the London blitz, Nietzsche was himself a victim of the disease he diagnosed. In The Good European Iain Bamforth's reports on fifteen years of 'experimental living' during which his attachment to the old continent brought him from Berlin, in the week in which he saw the fall of the Wall in 1989, to Strasburg, heart of aboriginal Europe and the city of noses in Tristram Shandy. Thrown into a deep identity crisis by Bismarck's victories against the French in 1870, pilot region for some of the modern state's most radical policies (health insurance, public relations), Alsace's divided loyalties have affected the nature of Europe itself. With his ear attuned to the complexities of culture and politics, Bamforth attempts to discover Europe through extra-diplomatic channels: he offers essays on writers and thinkers who have done much to define the small archipelago on the edge of Asia, including classics such as Kleist, Kafka, Roth and Benjamin, WG Sebald and Mavis Gallant. He provides a portrait of the Nazi jurist Carl Schmitt, a send-off for Bernard Pivot's classic literary chat-show Bouillon de Culture, a scrutiny of philosophising media pundit Peter Sloterdijk, landscapes from Provence and Bavaria, reports from Prague and Geneva, Franco-German shibboleths, a sarcastic letter from 'Kakania', and an anatomy of the Alsatian humorist Tomi Ungerer. Europe often reeks of the terminally nostalgic and the curatorial: here a sceptical Scots intelligence reaches out to Musil, Heine, Gogol, Sterne, Montaigne, Rabelais and beyond the 'standard average European' to the gallant, helpless, hero-smitten Don, in the hope that they can help him find the way towards a more generous Europe.
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Point No Point / Sujata Bhatt. - [miejsce nieznane] : Carcanet Poetry : Legimi, 2012.
Autor
Bhatt Sujata.
Forma i typ
E-booki
Sujata Bhatt's first book of poems, the award-winning Brunizem, appeared in 1988. In a very short time she has gained recognition as one of the distinct and reckonable new voices. She has things to say about her native India and her native tongue (Gujarati), about America and Britain, and about Germany where she now lives. She is, the New Statesman declared, 'one of the finest poets alive', and alive in a unique way to language, to issues of politics and gender, to place and history. Hers is a remarkable complete imagination, generous and at the same time unsparingly severe in its quest for the difficult truths of experience.
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Pure Lizard / Sujata Bhatt. - [miejsce nieznane] : Carcanet Poetry : Legimi, 2012.
Autor
Bhatt Sujata.
Forma i typ
E-booki
Born in India, her mother tongue Gujurati, educated in America and now living in Germany, Sujata Bhatt in her writing bridges continents, languages and identities. In Pure Lizard she further explores the dislocations and transformations first encountered in her acclaimed first collection Brunizem (1988). A being with 'pure lizard' skin appears as a Sibyl; Jane Eyre haunts a laboratory in Baltimore; monkeys inhabit new spaces; a field of sunflowers in Pennsylvania is set beside sunflowers grown in Chernobyl to remove toxic waste from the soil... Pure Lizard continues Bhatt's dialogue with other art forms: the etchings of Paula Rego, the music of Telemann and Philip Glass. Grounded in a world of science, history and minute observation, Bhatt's inventinos are made palpable and moving by her profound sympathy, her distinctive vision through language.
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The Hat-Stand Union / Caroline Bird. - [miejsce nieznane] : Carcanet Poetry : Legimi, 2013.
Autor
Bird Caroline.
Forma i typ
E-booki
Playful in earnest, Caroline Bird in her fourth book of poems turns familiar stories on their heads. Bird's protagonists declaim Chekhov in supermarkets, purchase mail-order tears, sing love-songs to hat-stands. Her characters and voices are at once savvy and vulnerable; underlying the exuberance is empathy with those who have lost themselves somewhere along the way. The everyday world of The Hat-Stand Union is beautiful, ominous and full of surprise.
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Watering Can / Caroline Bird. - [miejsce nieznane] : Carcanet Poetry : Legimi, 2011.
Autor
Bird Caroline.
Forma i typ
E-booki
Caroline Bird's two earlier collections were acclaimed for their exuberant energy, surreal imagination and passion - 'a bit of a Howl for a new generation', wrote the Hudson Review. Watering Can celebrates life as an early twenty-something. The poems, writes Caroline Bird, 'contain prophetic videos, a moon colonised by bullies, weeping scholars, laughing ducks, silent weddings - all the fertiliser that pours on top of your head.' The extraordinary verve and compassion of her verse propels us into the anxiety of new responsibilities. Raw but never hopeless, Watering Can has comedy, wordplay and bright self-deprecation.
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Partial Shade / John Birtwhistle. - [miejsce nieznane] : Carcanet Poetry : Legimi, 2023.
Autor
Birtwhistle John.
Forma i typ
E-booki
'Partial Shade' is the common gardening term for plants that in fact need a measure of sunshine. In John Birtwhistle's poems, there is a continual play of light and shadow – and even glimpses of 'full sun'. This selection from his own work does not follow chronology. It is an entirely fresh ordering, in which poems converse and argue with each other across the years. Lines about politics, parenting, mortality, art (and love, 'that bookish theme') are plaited together, intimate yet distinct. Partial Shade is a new book for new readers. It makes available poems from out-of-print collections, as well as substantial new poems. The rhythm varies from lyric and narrative poems to 'haiku-like miniatures: agile, mobile and eventful' (Hugh Haughton). 'John Birtwhistle is a marvellously versatile intellectual gadfly of a poet. No sooner do we think that we know his manner, his theme, than he is off elsewhere, teasing, amusing, throwing out possibilities like sweets strewn along a woodland path.' (Michael Glover) The poetry is distinguished by deep feeling conveyed with visual precision, careful phrasing and formal clarity. Peter Jay writes of 'These lucid, witty, tender poems, full of felicitous surprises and unexpected turns of imagination', whilst Imtiaz Dharker finds them 'So rich in scope and style, with surprising shifts and echoes'.
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Gallop / Alison Brackenbury. - [miejsce nieznane] : Carcanet Poetry : Legimi, 2019.
Autor
Brackenbury Alison.
Forma i typ
E-booki
Alison Brackenbury's poems are haunted by horses, unseasonable love, history, hares and unreasonable hope. Brackenbury's Selected Poems begins in the almost Victorian villages of remote Lincolnshire, where her father tramped, as a ploughboy, behind great Shires and Percherons.Her acclaimed early poem, 'Dreams of Power', gives voice to a little-known woman from the past, Arbella Stuart, and her still-contemporary choices: safe solitude, fashionable London, dangerous love. Her song-like poems draw on years of experience of bookkeeping and manual work in industry, of VAT, of trichloroethylene on 'a thrumming lorry'.The poems take readers to northern China winters and the damp heat of Hanoi. And always the countryside returns: its mud, its huge hares, its stubborn sun. After nine books, major prizes and national broadcasts, the rush of Brackenbury's poems are a work in wonderful progress, full of surprises and renewals.
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Then / Alison Brackenbury. - [miejsce nieznane] : Carcanet Poetry : Legimi, 2013.
Autor
Brackenbury Alison.
Forma i typ
E-booki
Then draws on Alison Brackenbury's lifetime's experience of rural England, its people and its ways, and the threats to its survival. From the lapwings of her childhood Lincolnshire to the recurrent floods in Gloucestershire, where she has lived for many years, the poems reach urgently to both past and future, finding connections and disconnections. The signs of a changing climate are emblematic of larger erasures. The poems keenly focus the beauty and the harshness of the natural world. They remind us of our own fragility, and our responsibility: 'We are made of water. But we forgot.'
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We Look Like This / Dan Burt. - [miejsce nieznane] : Carcanet Poetry : Legimi, 2012.
Autor
Burt Dan.
Forma i typ
E-booki
We Look Like This anatomizes how history, violence, power, lust and mortality at work on us. Burt's formal, muscular language evokes war, want, cruelty and hope, and a childhood among tough Jews' in Philadelphia, dominated by his father Joe, son of Ukrainian immigrants, butcher, boxer and, last, coastal fisherman.
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Venus as a Bear / Vahni Capildeo. - [miejsce nieznane] : Carcanet Poetry : Legimi, 2018.
Autor
Capildeo Vahni.
Forma i typ
E-booki
The Poetry Book Society Summer 2018 Choice Shortlisted for The 2018 Forward Prize for Best Collection Vahni Capildeo's Venus as a Bear collects poems on animals, art, language, the sea, thinghood, metaphor, description, and dance. They tend toward, and tend to, the inanimate and non-human, tenderly disclosing their forms of sentience. We have feelings for creatures, objects and places, but where do these affinities come from? How do things, as things, affect us, remain mysterious while making themselves known? For Capildeo answers formed at their own pace, while waiting for lambing at a friend's farm; exploring the Ashmolean Museum in Oxford; criss-crossing the British Isles with the Out of Bounds poetry project; or hearing of Africa and the Romans in Scotland, of Guyana and Shakespeare, while standing over-the-boots deep in a freezing sea off the coast of Wales. Many of the poems respond to real places, objects and people, as investigations, meditations, or dedications. They dwell on bodies and dwell in the body, inviting ardent, open forms of reading, in the spirit of their composition.
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A Full Cone / Miles Champion. - [miejsce nieznane] : Carcanet Poetry : Legimi, 2018.
Autor
Champion Miles.
Forma i typ
E-booki
A Full Cone is Miles Champion's second Carcanet volume. It features a substantial body of new work as well as a selection of earlier writing hitherto unavailable in the UK.'It has often been noted that the pace at which Miles Champion's brilliantly intelligent poems unfold is rapid. Ideas and images tumble into words and the words become present as moments of conceptual or emotional consequence. But, though high velocity is in the making of the poems, there is no swift taking away. The moments aren't rescinded; the poems are not a demonstration of lyric evanescence. Champion's work, rather, is about phenomenological consequence, and consequence lingers, lasts. This is a collection of monumental significance - and the work is gorgeous.'-Lyn Hejinian
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Extended Family / Linda Chase. - [miejsce nieznane] : Carcanet Poetry : Legimi, 2011.
Autor
Chase Linda.
Forma i typ
E-booki
Extended Family is a sensual celebration of the varied relationships that make up lives richly lived: from the subtle, intimate interactions of close family members and lovers, to the mutual rewards and stresses of relationships with friends, therapists, students and housemates. The book begins in America, with childhood memories and adolescent love. In the second section, 'Younger Men Have Birthdays Too', a love affair unravels in a sequence of tender, angry love poems. In the final section, relationships encompass casual interactions and the close understandings of friends, loving kindness and the chaos of mental breakdown. Linda Chase's wit and sharp eye for telling detail make this a collection in which, with a wry eye, the poet can express heartbreak, and the narratives of the everyday reveal unique moments of insight.
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that which appears / Thomas A Clark. - [miejsce nieznane] : Carcanet Poetry : Legimi, 2024.
Autor
Clark Thomas A.
Forma i typ
E-booki
that which appears gathers together four book-length sequences; The Hundred Thousand Places, Yellow & Blue and Farm by the Shore, all previously published by Carcanet, plus the title book, that which appears, published by Paragon Press (1994). The poems gathered in that which appears emerge from a practice of walking in the varied landscapes of the highlands and islands of Scotland. They attempt to attend and respond to the evidence, to 'snow on moss on stone', with 'small continual adjustments'. A conviction grows that environmental damage can only begin to be repaired by many careful and repeated acts of attention. How can we move here with resourcefulness and least intrusion? Can poetry be generous in response while subject to an ethic of care for place and particularity? Can it provide spaces that will allow for, that welcome and celebrate, that which appears?
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Yellow & Blue / Thomas A. Clark. - [miejsce nieznane] : Carcanet Poetry : Legimi, 2014.
Autor
Clark Thomas A..
Forma i typ
E-booki
The poems in this book form a series of small acts of attention, repeated attempts to step outside the circle of human concern and into a wider responsibility to the natural world. 'To move among / crashing pines / is spacious / and exact.' Yellow & Blue invites us to share the spaciousness of a book-length journey, an exacting clarity of perception.
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Ice / Gillian Clarke. - [miejsce nieznane] : Carcanet Poetry : Legimi, 2012.
Autor
Clarke Gillian.
Forma i typ
E-booki
In Ice Gillian Clarke turns to the real winters of 2009 and 2010. In their extremity they redefined all the seasons for her. Nature asserted itself and renewed the environment for the imagination. The poem 'Polar' is the poet's point de repère, evoking a polar-bear rug she had as a child and here resurrects in a spirit of personal and ecological longing that becomes a creative act. She lives with the planet, its seasons and creatures, in a joyful, anxious communion. The book also includes the asked for' and commissioned poems, and the Guardian spreads Clarke has written during her time as National Poet of Wales (2008-2013). She follows in the rich millennium-old Welsh tradition of occasional writing going back to the first-known named British poets Aneirin and Taliesin in the sixth century.
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The Silence / Gillian Clarke. - [miejsce nieznane] : Carcanet Poetry : Legimi, 2024.
Autor
Clarke Gillian.
Forma i typ
E-booki
A Poetry Book Society Spring Recommendation 2024 'The days have no names.The day they count the dead,the day they closed the doors,turned off the lights. We're still here in the silence,hearing tree-talk,the wind's secrets,the company of birds.'('The Year of the Dead') The poems in Gillian Clarke's The Silence begin during lockdown, to whose silences Clarke listens so attentively that other voices emerge. As the book progresses, that silence deepens, in the poems about her mother and childhood, about the Great War and its aftermaths, and in her continuing attention to Welsh places and names, and the rituals which make that world come in to focus. In these scrupulous, musical poems, Clarke finds consolation in how silence makes room for memory and for the company of the animal- and bird-life which surrounds us. These poems, compulsively returning to key images and formative moments, echo and bring back other ways of living to the book's present moment.
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Long Pass / Joey Connolly. - [miejsce nieznane] : Carcanet Poetry : Legimi, 2017.
Autor
Connolly Joey.
Forma i typ
E-booki
'Ach! I misspoke. What I mean to say is this …' In Long Pass, Joey Connolly's first collection, the poet – in love, in puzzlement, in frustration or in elegy – keeps catching himself out, starting again. He wants to speak truthfully. He wants to say things simply. But nothing is as simple as it seems at first. Nothing strikes the interlocutor quite as he intends. Ach! He goes back. Deflections, tangents: the long pass, the long unfolding sentence, the growing sequence, move away from what they intend to say in order at last, wittily, angrily, ironically, to swerve in and say it. Translation, too, is hard. There are often competing versions – of Lorca, for example, and Cavafy. ' The painter is frustrated to be always / painting onto something, to be / concealing precisely as he displays.' Words reveal and at the same time conceal, yet what they conceal is part of what they want to say. The poet throws the poem for someone who isn't always there to catch. The fortunate reader intercepts.
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The Recycling / Joey Connolly. - [miejsce nieznane] : Carcanet Poetry : Legimi, 2023.
Autor
Connolly Joey.
Forma i typ
E-booki
A The Telegraph Book of the Year Joey Connolly's funny and feverish second collection, The Recycling, considers dissolution and aftermath. Poems experiment with forms and histories, grieving for estrangement and heartbreak, haunted by climate anxiety. Connolly is always taking risks, recycling traditional poetics into a scrapheap of repurposed pages, rusted fastenings and glittering fragments. Ecopoetry has never looked quite like this before.
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